Tv show host Donna Gérbage lives with the unfortunate ability to see threatening messages in everything she reads from an unknown entity that wants to harm her. She ignores the issue until it affects the premiere of her sketch comedy show Trash Tv. So, she seeks the help of a mysterious eye doctor, who inadvertently makes things worse.

The belated and revolting passion of a famous surgeon for a young orphan whom he once took in. He goes so far as to dishonor her to prevent her marriage to a young man she loves, whom she will however end up marrying. The young girl herself is not without reproach; she has missed a mother's love: in this ordeal, she has no sense of feminine dignity.

A blind young woman wakes up to find the husband who has cared for her for 8 years has left her for his workmate, and she has no idea the countless bumps in the road in store for her as she embarks on a quest for love.

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Film in five episodes on the female universe. Among the women portrayed, neglected wives who become prostitutes, a worker who improvises a sexy bomb and a priestess who gives herself as wife to an emigrant.

Behold the Man is the film of the Westminster Passion play produced each Easter by Catholic youth organizations with an amateur and anonymous cast. For the first time in Great Britain the censor has permitted the portrayal of Jesus on the screen, to be seen but not heard, the entire film being mimed to narrative.

Murder, Venice, relationships...it's a delicious concoction in the hands of crime novelist Donna Leon. Venice provides the backdrop for the lush film versions of the bestselling novels, which features the indelible Commissario Guido Brunetti, canal boat rides instead of car chases, fine cuisine and crime investigations in one of Europe’s most beautiful locations.

That old theatrical war-horse Bella Donna (previously filmed in America by Alla Nazimova) was resurrected by Britain's Twickenham Studios in 1934. Conrad Veidt stars as sinister Egyptian Mahmoud Baroundi, who even before the film gets under way has left a long trail of ruined women behind him. His latest victim is American girl Mona Chepstow (Mary Ellis), whom Baroundi treats like dirt and makes her like it. The plot centers around a murder by poison, as evidenced by the film's deliberately exotic title. Critics in 1934 praised newcomer Mary Ellis for underplaying her role, but many film fans preferred Nazimova's arm-waving histrionics in the earlier version.

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A housewife bored with her marriage and her life falls for a sinister man and is persuaded to help him kill her husband.